I'd been looking forward to City of Bones for a year. Thor, not so much, though I like the character. He's got a lot in common with my character, Eddy Moon. I imagine they talk in the same stilted, regal kind of way and they share a connection with ancient myths. Probably some of the people Eddy came across believed in Thor. Here he is, a bit. If you've read the Levels books you'll get what I mean.
Coming into this City of Bones had more advantages than being anticipated. I bought both DVDs in downtown Amman, which looks like this.
My copy of Thor had bonus audience coughing and head-scratching silhouettes in front of the camera.
But still I preferred it. Thor is silly, operatic, but it's lots of fun and it's straightforward. City of Bones - as a movie - is just so tortuous, and at the same time differs from the book in little, annoying ways. And what's wrong with the light? Why can nobody in New York get a 100 watt lightbulb? I think it's a bad sign if the only way you can make a film dark is to - literally - turn off the lights.
If you're into YA books or movies and want to read a bit more about this, there's an interesting article here: YA books into movies don't go, HERE.
I felt bad about my bargain basement DVDs, and so have decided to even out my karma a bit, by giving a book away. It's a novel aimed at teens, probably more suitable for boys - though bright, curious girls will like it too. If you know somebody who has an interest in - or a love for - wildlife and might like an imaginative story, in the tradition of Willard Price and Watership Down, then please point them in the direction of a free ebook. It's about a rebellious, imaginative teenage boy who gets embroiled in marine biology adventures.
It's called THE WATER BOOK and it's HERE.
Coming into this City of Bones had more advantages than being anticipated. I bought both DVDs in downtown Amman, which looks like this.
My copy of Thor had bonus audience coughing and head-scratching silhouettes in front of the camera.
But still I preferred it. Thor is silly, operatic, but it's lots of fun and it's straightforward. City of Bones - as a movie - is just so tortuous, and at the same time differs from the book in little, annoying ways. And what's wrong with the light? Why can nobody in New York get a 100 watt lightbulb? I think it's a bad sign if the only way you can make a film dark is to - literally - turn off the lights.
If you're into YA books or movies and want to read a bit more about this, there's an interesting article here: YA books into movies don't go, HERE.
I felt bad about my bargain basement DVDs, and so have decided to even out my karma a bit, by giving a book away. It's a novel aimed at teens, probably more suitable for boys - though bright, curious girls will like it too. If you know somebody who has an interest in - or a love for - wildlife and might like an imaginative story, in the tradition of Willard Price and Watership Down, then please point them in the direction of a free ebook. It's about a rebellious, imaginative teenage boy who gets embroiled in marine biology adventures.
It's called THE WATER BOOK and it's HERE.
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